For the purposes of this article I’ll be talking about various types of washes in the sense of a painted area of paper, and the techniques employed for laying down a good watercolor wash. So I recommend doing one ‘stripe’ all the way across the table, and promptly wiping it with your cloth to smear it and take the majority of the primer/paint off. Hi, I'm Anthony. In the same way, work up to highlights, adding the brightest (and usually heavier) paint at the end. The wash or colour, in this case, comes from the diluted ink in the pen line. Once the ink reservoir is empty, you're normally not able to refill it. Can be used indefinitely with the relevant ink - or even thin acrylic paint. The paper may still look moist but at this stage there is very little surface flow. Watercolor washes, whether flat or blended, need to be brushed quickly and evenly across the paper surface to achieve a smooth uniform result. Incline the board with the watercolor paper by propping up the back edge. It’s the kind of wash often used for painting sky backgrounds in landscapes. The wash will become lighter and lighter as you continue down the page. This is fine as it unifies the group of people. This principle applies whether it is a landscape, a still life, figure painting, portrait or indeed any subject. Leave the paper to dry flat so the paint pigments don’t continue to move around. So go on. Apply your paint mix across the whole surface of the paper as quickly as possible while the paper is still wet. If you set up your workspace properly before you start you’ll improve the probability of painting a decent wash. Because you need to work quickly, a bit of preparation will speed up your workflow. Learn to Paint: the Basics - How to Wash. … For best results use two mixes of fairly concentrated paint and stretched or heavy watercolor paper. I had just laid down a nice graded wash of watercolor for the background of a new painting. Continue to paint with alternating horizontal brush strokes from left to right. If you look closely, I’ve added a few more pen lines over the paint, especially in the figures, to add further density of value. Bristol board (a very smooth, very heavy drawing paper) is also good. Additionally watercolor artists commonly use either wet on dry or wet on wet techniques when they work, and both methods can be used to paint washes. After drawing the image loosely with the pen, take a medium sized brush, say a number 8 round, and with clean water, go over some or all of the lines. This type of technique is slightly more forgiving and allows the artist to do some corrections while painting a wash. As with other wet on wet methods you need to pre wet the paper in an even manner. Squirrel hair is also a favorite because of it's excellent handling properties and its ability to hold a large reservoir of water (read this article for more details on choosing the best brushes). It can be tricky to get the transition exactly the way you want, but like with flat washes, practice makes perfect ! Wet on wet is also a little more difficult to control since you can’t always predict where the pigment will flow (you’ll see this especially with the variegated wash later). An organized workspace is a good starting point. Add full strength paint to the top of the paper, moving down the page with alternating brushstrokes. In fact, this is a great principle for painting anyway - so whether it’s a pen line or a brush stroke, each one is doing a specific job. A wash of diluted ink or watercolor paint applied in combination with drawing is called pen and wash, wash drawing, or ink and wash. Complement the line work, therefore costly less chance of making a smooth wash impossible. Determined to get a consistent width of line and usually, the way the cold pressed and pressed. Not too wrung out ) and dip it into a tiny bit of paint and... 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